Do You Still Believe?

Do You Still Believe? is a work that depicts my personal relationship with religion and queerness. While it is a personal journey, it reflects shared queer experiences. I explore the parallels of the queer community and religion: if partnership is god, then the community is the church. How do we find each other in a world that has deemed us sinners, excluded? I utilize movement, text, and film to tell a story of interweaving characters and lovers. A diverse playlist of music takes on an important role by incorporating hymnals and operatic songs, in purposeful opposition of praising deities, and instead glorifying drag and gender fuckery through the lens of queer nightlife with dark wave and techno. Even if the viewer has not experienced the religious trauma the piece focuses on, they will be able to recognize themselves in the aftermath of that oppression–intimacy, mundanity, joy.

SHOWS

SHOWS

Angel Visits

Body Artifacts 2/15/2025

Cathedral of St. John the Devine

Dancers: Jules Assue, Ava Eriksen-Oertle, Nyah Malone, Nic Potes, Isa Segall

Photo credit: Rachel Keane

The Triple Empathy Problem

Physfest 1/17/2025, 1/18/2025

Stella Adler Studio of Acting

Dancers: Jules Assue, Ava Eriksen-Oertle, Nyah Malone, Nic Potes, Isa Segall

IHRAF

WADE Pride Residency 12/10/2024

The Tank

Dancers: Jules Assue, Peet Alfred-Elizalde, Ava Eriksen-Oertle, Nyah Malone, Isa Segall

Photo credit: Robin Michals

Pride Showing

WADE Pride Residency 6/24/2024

NYU Tisch

Dancers: Peet Alfred-Elizalde, Ava Eriksen-Oertle, Nyah Malone, Noel Olson, Isa Segall

Photo credit: John Eng

Vision Benefit

WADE Pride Residency 4/29/2024

NYU Tisch

Dancers: Ava Eriksen-Oertle, Nyah Malone, Isa Segall

Photo credit: John Eng

GibneyPRO

GibneyPRO informal showing

Gibney

Dancers: Bryn Bridgen, Ben Moleta, Noel Olson

Photo credit: Whitney Browne

Do You Still Believe? was created during the Pride Residency curated by WADE DANCE INC in collaboration with NYU Tisch School of Arts

Rush Johnston, Queering the Divine: An Evening with Body Artifacts

“And while titled “Do You Still Believe,” I left the work confidently knowing I had something to believe in, if not God in the great beyond, then the God among us in that moment.”

Nebraska Clarified

In my belated boyhood I often find myself reflecting on growing up as a queer girl in Nebraska. The relationship I share with the state seemingly parallels my relationship with my body–an almost reluctant home. When you drive down the interstate, and see religious and conservative iconography littering the rolling plains, you can understand why so many would assume this state snuffs out any life that isn’t white and straight. While it suffocates, it does not entirely consume. Still, many–like myself–will leave for a chance to breathe. Migrating is tied to survival, and queer people are told to move to live, so what does that mean for those who stay or come back? Nebraska Clarified uses the literature of my adolescence to mold a movement vocabulary based on the stagnation and migration of queer midwesterners. Alongside that movement is a reclamation of boyhood–a way of growing up that is very specific to places like Nebraska. The work incorporates movement, variations of folk music, and poems and prose to invoke the imagery of the trans midwesterner.

SHOWS

SHOWS

Homeport Art House

Homeport Art House residency 8/18/2024

Homeport Art House

Photo credit: SeZa

GibneyPRO

GibneyPRO informal showing

Gibney

Photo credit: Whitney Browne