Do You Still Believe?
Do You Still Believe? is a work that depicts my personal relationship with religion and queerness. While it is a personal journey, it reflects shared queer experiences. I explore the parallels of the queer community and religion: if partnership is god, then the community is the church. How do we find each other in a world that has deemed us sinners, excluded? I utilize movement, text, and film to tell a story of interweaving characters and lovers. A diverse playlist of music takes on an important role by incorporating hymnals and operatic songs, in purposeful opposition of praising deities, and instead glorifying drag and gender fuckery through the lens of queer nightlife with dark wave and techno. Even if the viewer has not experienced the religious trauma the piece focuses on, they will be able to recognize themselves in the aftermath of that oppression–intimacy, mundanity, joy.
SHOWS
SHOWS
Angel Visits
Body Artifacts 2/15/2025
Cathedral of St. John the Devine
Dancers: Jules Assue, Ava Eriksen-Oertle, Nyah Malone, Nic Potes, Isa Segall
Photo credit: Rachel Keane
The Triple Empathy Problem
Physfest 1/17/2025, 1/18/2025
Stella Adler Studio of Acting
Dancers: Jules Assue, Ava Eriksen-Oertle, Nyah Malone, Nic Potes, Isa Segall
IHRAF
WADE Pride Residency 12/10/2024
The Tank
Dancers: Jules Assue, Peet Alfred-Elizalde, Ava Eriksen-Oertle, Nyah Malone, Isa Segall
Photo credit: Robin Michals
Pride Showing
WADE Pride Residency 6/24/2024
NYU Tisch
Dancers: Peet Alfred-Elizalde, Ava Eriksen-Oertle, Nyah Malone, Noel Olson, Isa Segall
Photo credit: John Eng
Vision Benefit
WADE Pride Residency 4/29/2024
NYU Tisch
Dancers: Ava Eriksen-Oertle, Nyah Malone, Isa Segall
Photo credit: John Eng
GibneyPRO
GibneyPRO informal showing
Gibney
Dancers: Bryn Bridgen, Ben Moleta, Noel Olson
Photo credit: Whitney Browne
Do You Still Believe? was created during the Pride Residency curated by WADE DANCE INC in collaboration with NYU Tisch School of Arts
Rush Johnston, Queering the Divine: An Evening with Body Artifacts
“And while titled “Do You Still Believe,” I left the work confidently knowing I had something to believe in, if not God in the great beyond, then the God among us in that moment.”
Nebraska Clarified
In my belated boyhood I often find myself reflecting on growing up as a queer girl in Nebraska. The relationship I share with the state seemingly parallels my relationship with my body–an almost reluctant home. When you drive down the interstate, and see religious and conservative iconography littering the rolling plains, you can understand why so many would assume this state snuffs out any life that isn’t white and straight. While it suffocates, it does not entirely consume. Still, many–like myself–will leave for a chance to breathe. Migrating is tied to survival, and queer people are told to move to live, so what does that mean for those who stay or come back? Nebraska Clarified uses the literature of my adolescence to mold a movement vocabulary based on the stagnation and migration of queer midwesterners. Alongside that movement is a reclamation of boyhood–a way of growing up that is very specific to places like Nebraska. The work incorporates movement, variations of folk music, and poems and prose to invoke the imagery of the trans midwesterner.
SHOWS
SHOWS
Homeport Art House
Homeport Art House residency 8/18/2024
Homeport Art House
Photo credit: SeZa
GibneyPRO
GibneyPRO informal showing
Gibney
Photo credit: Whitney Browne